· Before Watchmen, Before V For Vendetta, There Was Tharg! Together for the first time in one volume are all of Alan Moore's Future Shocks — darkly funny and deliriously twisted tales of sci-fi terror, where nothing is what it seems. · Overview. TOGETHER FOR THE FIRST TIME IN ONE VOLUME ARE ALL OF ALAN MOORE'S FUTURE SHOCKS – darkly funny and deliriously twisted tales of sci-fi terror, where nothing is what it seems. This thrill-packed collection features the art of many legendary names in the comics industry including Alan Davis (Batman), Steve Dillon (Preacher) and Dave Gibbons (Watchmen).ISBN The Complete Alan Moore Future Shocks (): Darkly funny and deliriously twisted tales of sci-fi terror, where nothing is what it seems. This thrill packed-collection features the art of many legendary names in the comics industry including Ian Gibson (The Ballad of Halo Jones), Bryan Talbot (Luther Arkwright) and Dave Gibbons (Watchmen).
"Future Shocks" were one-shot stories, frequently tongue-in-cheek. They were a staple of AD, probably because they were a godsend to the editor if a creative team fell behind on one of the continuing series. During his time with the weekly, Alan Moore wrote a number of them. The Complete Alan Moore Future Shocks (): Darkly funny and deliriously twisted tales of sci-fi terror, where nothing is what it seems. This thrill packed-collection features the art of many legendary names in the comics industry including Ian Gibson (The Ballad of Halo Jones), Bryan Talbot (Luther Arkwright) and Dave Gibbons (Watchmen). THE COMPLETE ALAN MOORE FUTURE SHOCKS ( AD, First US Printing, ; Softcover) Collects selections from AD #,
Two collections of Alan Moore's Future Shocks (Alan Moore's Shocking Futures) and Time Twisters (Alan Moore's Twisted Times) stories were released by Titan Books in Alan Moore's Shocking Futures (), Titan Books ; reprints a selection of Future Shocks short strips originally published in AD between and , with various artists. “Future Shocks” were one-shot stories, frequently tongue-in-cheek. They were a staple of AD, probably because they were a godsend to the editor if a creative team fell behind on one of the continuing series. During his time with the weekly, Alan Moore wrote a number of them. It’s not the very first of the Alan Moore “Future Shocks,” but it’s the first one that walks that line between compelling and insightful and violent and funny, and it provides a bit of.
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